In this series, I become the owner of my grandfather’s works; I paint them again based on a current stance, which also implies their inevitable new meaning.

Small and medium-format works from the fifties turn into almost monumental works.

The work carried out by a male artist by mid last century is now part of the repertoire of works of a female artist from the second decade of the two-thousands.

My search is to be found in this transformation and these dilemmas; it went through many concerns until repainting my grandfather’s works.